Category: Movie Reviews

Priesthood of the Planet of the Apes

Kingdom as a fantasy novel, Biblical allusions, and religion as a universal need

Poster for Kingdom of the Planet of the Apes
Does this poster scream YA fantasy trilogy, or is it just me?

My husband and I spent the last few weeks catching up on the rebooted Planet of the Apes franchise so that we could go see Kingdom of the Planet of the Apes for date night. I admit that after binge-watching Dawn, Rise, and War, I was worried about what I was going to get with Kingdom. Dawn starts out as an old-fashioned science fiction tale, where man’s hubris in controlling nature leads to his downfall. Rise follows the plot beats of a post-apocalyptic tragedy in the vein of The Walking Dead, where no one can be trusted, and everything eventually goes as bad as it is possible for it to go. Glimmers of hope appear, but they are just as quickly snatched away. With War, the story gets even more depressing. It’s a combination of a war film with a revenge tale, but without any of the enjoyment of cleverness that makes revenge so fun. The overall tone is one of desperation, and the only possible solution to the protagonists’ problems is the complete annihilation of humanity. With the trailers for Kingdom seeming to hint at humanity having become the cattle predicted by War, I worried I had just signed myself up to sit through another depression-fest.

Imagine my surprise when the first scenes of Kingdom followed a completely different story pattern: that of the YA fantasy novel.

**spoilers for Kingdom of the Planet of the Apes throughout**

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Religion as a Technology

I’m currently watching the Netflix adaptation of The Three Body Problem (or 3 Body Problem, as they have styled the title). The dialogue and exposition writing is so much better than the recent Avatar: The Last Airbender that I could cry. I finished episode six last night, and it’s taking a lot of my willpower bandwidth to continue working on schoolwork instead of finishing the final two episodes. It’s been a while since I read Liu Cixin’s book, and I have not read the other two books in the series, though with the amount of enjoyment I am getting from the show, they may move to the top of my summer reading list.

With all those caveats on my own ignorance in place, I’ve noticed an interesting religious theme in the show. In the first episode, Vera, a scientist who’s shortly going to commit suicide, asks another, “Do you believe in God?” This question is seemingly related to the fact that the particle accelerator they both work at is spitting out “Alice in Wonderland”-type results, like all the other colliders in the world. This implies that the only reason to consider religion is because you encounter things that don’t make sense.

Revelations in the show make it seem likely that Vera, like another protagonist, has also encountered a mysterious human who tells her that “the Lord” will take care of her if she stops her research and perhaps force her to commit suicide if she doesn’t. Later, it becomes clear what this group of fanatics refer to as “the Lord” is actually a group of technologically advanced aliens. This is a common enough science fiction explanation for God, but what makes this framing interesting to me is that these humans know that their Lord is a group of aliens. They are under no illusions that anything supernatural is going on. All of the aliens’ marvelous capabilities are scientific in their minds, and yet they still frame the aliens as a god, one who cares deeply about humanity’s best interests, and worship them accordingly.

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What I Read – October 2021

October has come and gone and it’s time for book reviews again. Looks like the themes in this month’s reads are great short stories and novels with cliff hangers! I’ll also throw in a link to my Twitter review of the newly released Dune movie. Book reviews after the jump.

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Story Genius and Frozen 2: When the Story Doesn’t Match the Plot

As part of my winter writing goals, I’ve been reading Story Genius by Lisa Cron. Though it has its flaws (assuming that all stories are character driven instead of just most of them), I’m enjoying the thorough take on how to construct a character arc for your story before you start writing. My NaNo novel definitely suffered from a lack of planning in this department–I stalled out 1/3 of the way through because I had no idea how to pull the character out of her depressed funk. So I feel like the lessons learned in this book will be helpful in getting my next book going.

Story Genius also helped me with a problem that’s been rolling around in my head: why I don’t like Frozen 2. Ever since watching the movie over Thanksgiving, I’ve been wondering why a movie with such ostensibly powerful messages ended up feeling so hollow for me. I think Story Genius has given me the answer: what Frozen 2 wants to say, the story it wants to tell, isn’t backed up or earned by the plot that we see on screen. Sure, the songs are fantastic (you can’t fault Frozen on lyrics), and there are some great empowering one liners, but these end up falling flat because there is no substance behind them. It doesn’t come off as believable character growth, which means that it just comes off as a preach fest with lyrical interludes.

And so, without further ado, my attempt to fix the character arcs in Frozen:

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