Religion as a Technology

I’m currently watching the Netflix adaptation of The Three Body Problem (or 3 Body Problem, as they have styled the title). The dialogue and exposition writing is so much better than the recent Avatar: The Last Airbender that I could cry. I finished episode six last night, and it’s taking a lot of my willpower bandwidth to continue working on schoolwork instead of finishing the final two episodes. It’s been a while since I read Liu Cixin’s book, and I have not read the other two books in the series, though with the amount of enjoyment I am getting from the show, they may move to the top of my summer reading list.

With all those caveats on my own ignorance in place, I’ve noticed an interesting religious theme in the show. In the first episode, Vera, a scientist who’s shortly going to commit suicide, asks another, “Do you believe in God?” This question is seemingly related to the fact that the particle accelerator they both work at is spitting out “Alice in Wonderland”-type results, like all the other colliders in the world. This implies that the only reason to consider religion is because you encounter things that don’t make sense.

Revelations in the show make it seem likely that Vera, like another protagonist, has also encountered a mysterious human who tells her that “the Lord” will take care of her if she stops her research and perhaps force her to commit suicide if she doesn’t. Later, it becomes clear what this group of fanatics refer to as “the Lord” is actually a group of technologically advanced aliens. This is a common enough science fiction explanation for God, but what makes this framing interesting to me is that these humans know that their Lord is a group of aliens. They are under no illusions that anything supernatural is going on. All of the aliens’ marvelous capabilities are scientific in their minds, and yet they still frame the aliens as a god, one who cares deeply about humanity’s best interests, and worship them accordingly.

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ICFA 45 Debrief: Notes from the International Conference on the Fantastic in the Arts

I’ve recently returned from the 45th International Conference on the Fantastic in the Arts. Since I’m an introvert and have to push myself to network, I set a goal before the conference to talk to three new people each day and have at least one interesting conversation. Well, that goal was absolutely an underestimate of how much fun I had talking to all these wonderful scholars and creatives. It was an absolute dream to attend. When you want to study fantasy and science fiction, there are a lot of people in English departments who won’t take you seriously. Being in a place where everyone else is also interested in what speculative fiction has to say was so refreshing.

My presentation was part of a panel of two papers on Susanna Clarke’s Piranesi. It was a fascinating panel in that my co-presenter and I came to exactly opposite conclusions about whether the novel supported or denied the idea of Escape into the fantastic, as theorized by Tolkien. John Pennington (whose work on George McDonald I’m going to have to look into when I finally get around to reading Phantasties) framed the novel as rejecting the premise of a secondary world in favor of a world that is deeply intertwined with, and even formed from, the primary world. He also cited a lot of postsecular theorists in his discussion, which gave me a whole different way to understand the book that I’m going to need to spend some time working on.

My paper, “‘The Beauty of the House is Immeasurable’: Susanna Clarke’s Piranesi on the Uses of Speculative Fiction for Escape During the Covid Pandemic,” took an opposite tack. I looked at the relationship of the protagonist to the artistic and symbolic world he lived in as representative of our relationship with speculative fiction, coming to the conclusion that the book demonstrates how Tolkien’s idea of constructive Escape functions. I tied in the public reaction to the book when it was published in the early pandemic as well as my own experiences using media to cope with 2020.

I was blown away by the discussion which brought up ideas that could spark at least 3-4 other papers about the novel. (Edited collection on Piranesi, anyone?) It was an honor to be in a panel with such an intelligent audience. I felt like I finally experienced the purpose of an academic conference: getting feedback on your ideas from people who really care about the subject.

David G Hartwell Award co-winners, Liz Busby and Sasha Bailyn

I guess the people running the conference also liked my paper, because at the closing banquet, I received the David G. Hartwell Emerging Scholar Award, along with Sasha Bailyn, whose interesting publication Inglenook Lit combines creative nonfiction and speculative fiction which blows my mind. I’m really honored by this award; it gives me real validation and encouragement for my crazy desire to spend the rest of my career focused on speculative fiction.

Below are some comments and notes on my favorite papers and panels that I attended. (There were so many good panels that I didn’t get a chance to attend as well!)

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What I Read: Feb 2024

February was a busy month outside of school. My presentations at LTUE 42 went well and I had fun meeting up with old friends. I read from my essay “Through the Wardrobe: Inhabiting the Divine Story” at the Wayfare issue 3 launch party; I’m always impressed by the quality of writers they find, so I’m very humbled to be among them. Check out the previews of issue 3 (including this amazing art combining The Lion, The Witch, and the Wardrobe and the Kirtland temple that was commissioned to go with my piece) and consider subscribing to get one of the beautiful print copies.

Close up of art by Jessica Beach

This month I’ll be presenting a paper on using CS Lewis’s interpretation of Spenser’s Faerie Queene to understand the poetry of another early modern poet, Amelia Lanyer, at BYU’s English Symposium. I’ll also be travelling to Florida to attend the International Conference for the Fantastic in the Arts and read my paper on Susanna Clarke’s Piranesi and using speculative fiction to cope with trauma. So many conferences this semester! Remind me to limit myself to one next time.

The podcast has been a little dormant due to grad school, but we did release a short today on a short Pixar film called Self. The episode is twice as long as the film itself; we do some interesting twisting of the short into a religious reading that the filmmakers certainly didn’t intend. Hopefully, you’ll enjoy it, and we’ll get back to more regular episodes soon.

I also made a concerted effort this month to revive my non-school related reading. I find that reading for school becomes more interesting when I have things from my own interests to connect with it. So even though February is a short month, I’ve got 10 book reviews for you. Let’s jump to it!

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What I Read: Jan 2024

January is my birthday month, and usually one of my favorites, but things got off to a rough start this year. The school board was thinking about closing a program my kids participate in, so I had to make time to go and speak at a board meeting. Success: they’ve decided to expand the program instead of close it. Then one of my kids slipped in the snow and got a concussion. On top of regular life stuff, I’ve been struggling to keep all the balls in the air this semester. I finally decided to withdraw from a class last week, so hopefully there will be a bit more breathing room.

photo of a black and white trees
Photo by Ona Buflod Bovollen on Pexels.com

Next week is the Life, The Universe and Everything Symposium (number 42!) in Provo. I’ll be presenting my paper on Mormon portrayals of aliens on Thursday and participating in a panel about religious clashes in speculative fiction. On Saturday, I’m on another panel about speculative fiction for various school ages and classes. If you’re coming, please send me an email and let’s meet up!

Speaking of upcoming conferences, my paper on representations of Latter-day Saints in The Expanse and Stranger Things was accepted by the Mormon History Association for their conference in June. I really love this paper and am excited to work on it a bit more in preparation for the conference.

On the podcast side, we’re back in the swing of things with an experimental new short format which will hopefully let us cover more things while spending less time on post-production. Our first short episode is on a documentary called The Mission on Disney+, which is about an evangelical missionary who is killed trying to contact an isolated people. We also released an episode today on Indiana Jones as a possible lapsed Latter-day Saint, with the authors of the popular post over at By Common Consent. It’s a really fun episode!

And now, forward to the book reviews!

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What I Read: Sept 2023

Graduate school has begun in earnest, and man, I’m sliding back into school like a fish into water. It’s so refreshing to be around people who are deep thinkers, great writers, and prolific readers all day long. Grad school is a blast! (Remind me of that in December when the paper deadlines hit.)

bundle of books on a library
Photo by Guilherme Rossi on Pexels.com

This weekend (Oct 13 & 14) I’ll be at the Latter-day Saints and Media Studies Symposium presenting my analysis of the portrayal of LDS characters in The Expanse and Stranger Things. Tickets are $30 for two days of interesting research about the interaction between the media and the church and its members. If you’re in the Las Vegas area, I’d love to say hello!

A short essay/fiction/something I wrote made the finalist list for the 12th Mormon Lit Blitz! The Lit Blitz will be starting on October 23rd with my piece being released on November 2nd. I’m also involved behind the scenes this time as I’ll be putting together a podcast version of the Lit Blitz to make it even easier to follow along and vote.

Over at Pop Culture on the Apricot Tree, we finished our Barbenheimer miniseries by talking about Barbie. I know there’s been a lot of LDS coverage of the film, but I think our discussion added a perspective that wasn’t as prevalent. I also really enjoyed our discussion of season two of Star Trek: Strange New Worlds. If you’re not already watching it, I highly recommend using your free trial of Paramount+ to do so (maybe over the holidays?).

Onward to book reviews!

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