What I Read – October 2021

October has come and gone and it’s time for book reviews again. Looks like the themes in this month’s reads are great short stories and novels with cliff hangers! I’ll also throw in a link to my Twitter review of the newly released Dune movie. Book reviews after the jump.

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What I Read: August 2021

Ah, the kids are back in school and so life is back to calm, right? Except that it’s 2021 and things are . . . interesting in Utah schools, pandemic-wise. My reading suffered this month from the amount of time I devoted to political activism, doom-scrolling, and existential dread. On top of that, all of the SF books I read this month were just ok. I guess you can’t find a favorite every month, but I’m feeling a bit like I struck out. However, one of my nonfiction reads has become not only a favorite, but a book I’m trying to pawn off on all the people I know. So I guess it’s not all bad. I’m hoping my reading pace picks up in the fall.

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What I Read: July 2021

Some things come in waves, and this month was a tsunami. So much has been going on that overwhelmed my reading life this month, not the least of which was the rise of the delta variant and preparing to send the kids back to school in it. I also had a few duds on my reading list this month that I didn’t end up finishing. With that caveat, this is what I got through.

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Writing Lessons from Reading Ray Bradbury

Observations from reading a collection of stories by a science fiction master

Confession: I haven’t read short stories since graduating from college.

This is probably not much of a shock to you. Unless you are a writing professional, you probably don’t read short fiction either. Novels really are the prevailing art of the day. But I’ve been trying to get back into them because they let you see a whole idea very quickly. I will never be able to read as many books as I wish I could, especially since I read so many genres. But with short stories, I can at least get a taste of what an author is like.

A great tool for this has been the LeVar Burton Reads podcast. I recommend it to everyone. It’s like Reading Rainbow but for grownups! And the vast majority of the stories fall into the SFF genre, so I’m getting exposed to a lot of authors I wouldn’t have time for otherwise.

But I set a goal to read one whole collection by a classic SFF author this winter. I wanted to really understand what one author was about without having to spend a year reading their whole backlist. I picked Ray Bradbury merely because I was looking for authors who had written about time travel, and his story “A Sound of Thunder” is, as far as I know, the origin of the butterfly effect as used in fiction.

Well, turns out most of his other stories are not about time travel, but I did enjoy reading A Sound of Thunder and Other Stories by Ray Bradbury. Some of my observations from the collection:

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Turning Darkness into Light: What genre is this and how do I get more of it?

In some ways, I think that my love of Marie Brennan grows out of my love of Brandon Sanderson. The magic in Sanderson’s books is famously logical and scientific. In Mistborn, there are 16 metals and they all have a specific power which is bounded in its possibilities. Warbreaker has a particularly economic magic system where each person has a set amount of magic (“breath”) and in order to get more, you have to literally take someone else’s. In these worlds, you as a reader understand what is possible, the inputs and outputs. The “magic” of the book comes from the clever manipulation of these given tools to solve problems.

Marie Brennan’s series The Memoirs of Lady Trent takes this a step further. Dragons are simply an animal, a creature like any other, and that’s it. There’s no magic, no wizards, only a question of what would it look like if early Enlightenment natural philosophers were studying dragons instead of, well, whatever less cool animals they studied. In spite of the dragons on the covers, the plot of each of the five books is much less about fantastical elements or accomplishing some unknown feat than it is about travelling to an area, doing careful research and observations, perhaps some experiments, and then drawing conclusions from that about the biology and history of the world.

Cover for Turning Darkness into Light

Her new book Turning Darkness into Light is the next logical step. Not only is there no magic or saving the world, but there are hardly any dragons at all, except in the myth that the main scholars are translating. That’s actually the main action of the novel: three people in a room trying to decipher an ancient text and understand the impact it will have on the world. Granted, one of them is a draconean, but his exotic nature matters mostly in his relationship to the text and what he has at stake because of it.

And yet Brennan manages to make this fascinating. Some ways that I think this works:

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