I intended to post this after I finished releasing these comments on social media, but graduate school got the best of me. Nonetheless, they deserve a permanent home here, so apologies for the un-timely post.
Irreantum’s genre issue is alive in the world! I have been absolutely dying to share this issue with you all for months. These stories absolutely prove that combining Mormonism with genre elements doesn’t have to be gimmicky or silly; speculative fiction (and other genres, though most of these works have a supernatural slant) can lead to profound thoughts about our culture, about our beliefs, about human nature, and about the universe. Here are my thoughts as a co-editor of the issue on the stories contained therein. I’m going in reverse order of the table of contents just to make sure the ending pieces don’t get forgotten.
Could Brandon Sanderson Have Saved the Nephites? – Obviously, as someone who also writes criticism about Mormonism in Brandon Sanderson’s work, I feel really excited about this piece. Nick Fredrick is a very careful and reflective scholar; his analysis of the parables in The Way of Kings left me thinking about both Stormlight and The Book of Mormon in ways that I hadn’t before. After I listened to him read this piece at LTUE last year, I knew it needed to be published, and I’m so pleased that we were able to include it in this issue.
The Year the Graveyard Flooded – Emily Feuz Jensen’s piece straddles the line between realism and magical realism in the best ways. Are the people of the town just interpreting events in faith-promoting ways or is something really happening? Either way, this story features classic LDS themes of turning the hearts to the fathers in a lyrical, contemplative package.
The Incident at Burning Bush Ranch – I love the way Shayla Frandsen wields the tropes of the “found footage” genre in a written package. The ambiguities and corrections feel authentically folkloresque, and the story she tells plays off of an important but less-explored aspect of LDS culture, girls’ camp. This was one of the first submissions for this issue that I fell in love with.
Welded – I’ll admit to being intimidated by poetry, but I love what Makoto Hunter has done by mashing together poetry and historical research. I learned a lot about the history of polygamy from the footnotes and a lot about the human heart from the stanzas. Hopefully you’ll enjoy unraveling exactly what the author is implying as much as I did.
An Opportunity – This story is unique because Jeanna Mason Stay tells it from an outsider perspective; her protagonist is both outside the LDS community and outside her family’s special heritage. But there’s something undeniably Mormon about the magic system she presents and the wrestle the protagonist has with her past and her future. In an age of strained family relationships, this story will touch your heart and stay with you for a long time.
7 Devils – Declan Hyde gives this issue some classic demonic possession. I love the LDS twists on the lore, but the ending is what made my heart race in the best horror way. I recommend reading this one with the lights on and in a highly-populated area (or the inverse, if you like being scared).
The Archaemaji – This story is a Heavenly Mother story, but perhaps not like the ones you’ve read before. While it’s set in a secondary world, it makes commentary on an issue that’s important in contemporary LDS writing. D. C. Wynters’s ending struck as unique among the Mormon literature that longs for the divine feminine, and it’s one that couldn’t have been achieved without the unique fantasy set-up of the story.
Unidentified Faith-affirming Object – Gregory Brooks’s irreverent mash-up made me laugh out loud from the first line: “A column of light, gradually descending like a tractor beam.” Mormon readers might think they can tell exactly where this poem is going to go, but the scope quickly grows wider than you might anticipate. The radical recontextualization of everything you know will feel familiar and, dare I say, alien at the same time.
An interview with Sandy Petersen – I haven’t listened to the full interview yet, but I’m excited to learn about an aspect of LDS involvement in the nerd-space that I’ve previously only heard about. Sandy Peterson created The Call of Cthulu, an influential RPG game based on Lovecraftian mythos. His story is an important part of the history of Mormon speculative fiction. Thanks to D. J. Butler for conducting this interview.
Remember the Blood – When I first read Nate Givens’s story, it gave me strong early Orson Scott Card vibes. Partly this is because of the horror/dread aspect of this story’s lore. Part is the young male protagonist, both cocky and naive. And part is the unique blend of Mormon and Mesoamerican folklore, strongly reminiscent of Pastwatch or “America” from Folk of the Fringe. For me, the ending hits the perfect blending of fantasy and theology for a surprising-but-inevitable resolution that stuck with me.
The Case of the Missing Sacrament Bread – Katherine Cowley sets up a humorous mystery with the form of a ward history, a genre which perhaps only those who have to write them know about. I know none of the Relief Society histories I’ve written were half so interesting as this. You’ll recognize many characters from your local ward in her send-up of the quotidian aspects of LDS culture.
It’s About the People Under You – The concept of this one made me laugh out loud when I was reading through the slush pile, and I knew we needed it for the issue. Willow Dawn Becker satirizes so many aspects of Utah Mormon culture with the protagonist’s gradual downward spiral.
This is What Happened in Trígonus – Alejandro Seta’s work, presented in both English and the original Spanish, examines a familiar scripture story from a different frame of reference, you might say. I was so happy to see this submission right after finishing my analysis of how Mormons write about aliens as it fits right into the pattern of expanding the gospel story beyond a single planet. Gabriel González’s lyrical translation reflects the ethereal and dreamlike nature of the story.
The Double-Snatcher – I’ll admit that when I first started reading W. O. Hemsath’s story, I was skeptical as I’m not much of a consumer of talking animal stories. But when I realized what she was doing, I zipped right through to the heartbreaking ending. Maybe you’ll catch on more quickly than I did, but either way, I know you’ll enjoy this clever story that takes on an issue I never before considered.
You Are Beautiful, Dead, Whole – Chanel Earl’s story/poem takes fairy tale tropes and scripture stories, places them in a blender, and pushes “puree.” The result is a smooth refreshment composed of the real and the fictional, all of it with a special mythopoeic feel. Makes me excited to see what she comes up with for the upcoming folklore-themed issue of Irreantum she’s helping to edit.
The Haunted – I’ve saved another of my favorites for last (or first, if you’re reading the right way round). Mathilda Zeller’s story of a teen girl with a strained relationship with the church and with the ghosts who haunt her is a real achievement in Mormon speculative fiction. Her characters manage to be very real about their relationships to the institutional church while also dealing with a very unreal problem. I laughed, cried, and learned to love Moroni Alvarez and our unnamed protagonist, and I hope you do as well.
The genre issue, along with the rest of Irreantum, is freely available on the internet. That being said, if you feel you got some value out of this issue, please support the writers by joining the Irreantum Patreon. It only charges when a new issue is released; I believe the donations for this issue will be collected November 1st. The Patreon money goes straight to paying the authors who worked so hard to bring you these unique stories that might not have been published in a mainstream press. Plus by becoming a patron, you’ll get early access to Irreantum’s next issue. There are currently three themed issues accepting submissions, one on folklore and one on the restoration. I’m sure you’re gonna want to see what comes next!
