What I Read: Oct-Dec 2024

Once again, I’ve fallen behind in blogging, and I have no doubt it’s going to get worse as I work on my thesis over the next few months. But to catch up you up on the event most relevant to this blog, I attended Dragonsteel at the beginning of December with my two teenagers, who are also huge Sanderson fans. We didn’t cosplay ourselves but had to take photos with some of the amazing cosplayers we saw there. Also pictured is my son’s soul caster: immediately after putting it on, his first instinct was to do the Thanos snap, so I guess that puts “the Lesson” into an interesting perspective.

And of course, we have some of the cool merchandise pictured like the collectible card game that absolutely broke the convention. My boys have always loved the con games at Dragonsteel, but this one really went over the top. Through some hard work, we managed to collect all the story cards and even a good number of the more rare cards (even Heralds 7 and 9!). There was a really interesting panel on philosophy and religion in the series–I still definitely need to get in touch with the panelists about some of their ideas. As always, I enjoyed Brandon’s book launch speech, and the excerpt from the new non-Cosmere short story to be released. I’m finding it interesting that Sanderson keeps returning to write in the police/detective work genre (see also Snapshot, Legion), but I suppose it makes sense when you consider how many of his fantasy plots are also information-based. Definitely planning to come back next year, when hopefully things will be a little more chill since it won’t be a Stormlight year. (One can dream, right?)

Besides the convention, the end of the semester went well. I wrote an interesting paper on the uses of imagination for learning about God, as well as the dangers thereof, which I’ve already submitted to a conference. I finished my internship teaching persuasive writing and made a first pass at a teaching portfolio, which makes me feel like the end of grad school is in sight. There’s just one semester left, during which I’m writing my thesis, teaching two classes, and taking one class on women in Arthurian legend. I am savoring my graduate experience but also kind of ready for a short break. Orchestrating Christmas for a family while trying to write papers and grade was not very enjoyable.

As if that wasn’t enough to do, my conference schedule for this next semester is also packed. Here’s a summary of where you’ll find me this winter:

Feb 13-15: LTUE Symposium (Provo, UT) – I’ll be presenting my paper on LDS premortal theology in The Maze Runner and Matched, as well as a paper on The Mandalorian and religious clothing with my coauthor and podcast cohost Carl Cranney. I’ll also be on two panels discussing Dune and the work of Hayao Miyazaki.

Mar 19-22: ICFA (Orlando, FL) – I’m presenting the first half of my master’s thesis on the postsecular portrayal of religion in the Stormlight Archive.

April 4-5: Eaton Conference on Speculative Fiction (Riverside, CA) – I’ll be presenting the second half of my master’s thesis on secular and religious ways of knowing in the Stormlight Archive.

I’ve got a few more presentations lined up for spring at the MHA and MSH/AML conferences, but we’ll save those for another time.

As for my reading, I was forced to declare bankruptcy on actually writing full reviews for most of my reading for the past few months, so I’ve instead ordered them by my star rating on Goodreads, with a few sporadic notes below.

Speculative Fiction

5-star

The Silver Chair by C.S. Lewis – Still my favorite of the Narnia books.

4-star

Prince Caspian by C.S. Lewis – A necessary step to get my kids to Dawn Treader and Silver Chair. There are points in this book that are more pointedly allegorical than Lion, but also points that are more neo-medieval-classical than the other books as well. I didn’t remember nearly so much dancing!

Rhythm of War by Brandon Sanderson – Re-listened to this in prep for Wind and Truth. It’s the only one in the series that I never went back to since first reading it. The technical details felt a bit more organic this time around, but I still find the Kaladin plotline to be a bit dull and stretched out (though the final scenes are excellent). I would rather have Sanderson drop a few of the characters and actually focus on the ones who are the nominally stars of the book. (This problem gets even more intense in Wind and Truth.) However, it wasn’t as much of a trainwreck as I remember, so that’s something.

The Wood at Midwinter by Susanna Clarke – Really liked this except that it was too short. I would read a whole novel about this.

To Sleep in a Sea of Stars by Christopher Paolini – Overall, a fun SF book with some interesting remixes of ideas that have been done before. One thing that made the book tough for me to get through was the way that it keeps changing the entire conception of the plot every couple of chapters. You think you are reading one type of SF, then it becomes another, and just as you get used to it, it changes again. I got rather annoyed and resisted caring about our third set of characters, thinking the author would soon dump them. But this third set of characters turns out to stay put for the rest of the book, so not caring about them made it hard for me to want to keep reading. Something about the structure of the novel is just a bit off for me. The ending “standalone with series potential” ending kind of annoyed me after all the other switches the book pulled on me, but once I was done with it, I realized it made sense. Still, I don’t know that I’ll follow up with future books.

3-star

The State of the Art by Iain M. Banks

Wind and Truth by Brandon Sanderson – I am working on a longer review, plus writing my thesis on the series thus far, but here are a few initial thoughts:

The book doesn’t justify its length. At a panel with the editors at Dragonsteel Nexus 2025, they said they were proud of how they used typography tricks to avoid having to cut anything to fit the maximum page restrictions. I think this was a mistake; the book should have received more developmental editing. Perhaps this is a hazard of all authors that get too famous to delay publication in order to get the book right. I hope in the future, Dragonsteel avoids assigning launch dates before the book is finished (probably impossible).

The book is also marred by the heavy influence of current therapy culture. Mental health has always been a focus of the series, but it’s been done in a universal timeless way until Rhythm of War. Even the Rhythm of War version looks subtle compared to the therapy-worldview statements in this book, and not just in the Kaladin, Therapist to the Gods, plotline. I worry that this book will read as extremely dated in a decade.

On the positive side, this is Sanderson’s most fascinating book from a theological perspective. More elaborations to come, but at minimum, we have a real Paradise-Lost-ish explication of the Mormon Satan and an interesting argument for the need for an atonement. Also lots of interesting implications about the importance of belief in character’s lives, especially those who aren’t traditional believers. And Jasnah’s development in this book makes me extremely interested in where Sanderson intends to go with the character from here.

I am about to embark on a re-read to prepare for all the writing I need to do about this book, so I’ll report back with more considered opinions eventually

Fiction

5-star

Silence by Shūsaku Endō – Read this book again for the graduate class on divine silence. I’m pretty sure this is my fourth time reading it, some assigned and some by choice. This time around, I saw a lot of more of Endo’s intentionality in setting up Rodrigues’s conflict with God’s seeming silence in the face of suffering. I also read the ending as a lot more hopeful than I did as a college freshman. This time, I assumed that Rodrigues maintained his faith even though he was forced to remain silent about it, a reflection of God’s own silence towards the Japanese martyrs. I saw more hints in the strange economic log of the last chapter that Rodrigues kept secretly practicing his faith, especially with regards to Kiichijiro. Perhaps this is just contamination from watching the (amazing) film, but it just seemed so obviously intended to be read this way, which would surprise my college freshman self who read it as absolutely atheist in its ending.

Nonfiction

5-star

The Book of Mormon: Another Testament of Jesus Christ – Finishing this week with the kids for our family scripture study. On to church history next year!

4-star

The Abolition of Man by C.S. Lewis – Still very readable even after all these years. Whereas in the past I’ve really focused on the educational implications, with the recent rise of AI language bots, the last chapter reads as very prophetic and important.

Zero at the Bone: Fifty Entries Against Despair by Christian Wiman

Gravity and Grace by Simone Weil

Cup My Days Like Water by Abigail Carroll

All Manner of Things: Meditations on Suffering, Death, and Eternal Life by Jeffrey A. Vogel

Saints: The Story of the Church of Jesus Christ in the Latter Days: Volume 2: No Unhallowed Hand: 1846–1893 – The release of volume 4 finally inspired to make my way through all the volumes of Saints. This one does an excellent job of exploring the early days of Deseret and Utah, and doesn’t shy away from the tricky stories of polygamy.

3-star

Experiencing God in a Time of Crisis by Sarah Bachelard

The World of Silence by Max Picard

Dark Night of the Soul by John of the Cross – Read bits and pieces of this in three different translations, none of which were easier than others.

Stiff: The Curious Lives of Human Cadavers by Mary Roach – Fun read for Halloween season. I liked this better than my previous Mary Roach readings, though she’s still not my favorite writer. Some chapters were more interesting than others, but some were more nauseating than I could handle. Still, I have brought up some of the interesting facts I learned here in conversation, so I suppose the book worked well enough.

Priesthood of the Planet of the Apes

Kingdom as a fantasy novel, Biblical allusions, and religion as a universal need

Poster for Kingdom of the Planet of the Apes
Does this poster scream YA fantasy trilogy, or is it just me?

My husband and I spent the last few weeks catching up on the rebooted Planet of the Apes franchise so that we could go see Kingdom of the Planet of the Apes for date night. I admit that after binge-watching Dawn, Rise, and War, I was worried about what I was going to get with Kingdom. Dawn starts out as an old-fashioned science fiction tale, where man’s hubris in controlling nature leads to his downfall. Rise follows the plot beats of a post-apocalyptic tragedy in the vein of The Walking Dead, where no one can be trusted, and everything eventually goes as bad as it is possible for it to go. Glimmers of hope appear, but they are just as quickly snatched away. With War, the story gets even more depressing. It’s a combination of a war film with a revenge tale, but without any of the enjoyment of cleverness that makes revenge so fun. The overall tone is one of desperation, and the only possible solution to the protagonists’ problems is the complete annihilation of humanity. With the trailers for Kingdom seeming to hint at humanity having become the cattle predicted by War, I worried I had just signed myself up to sit through another depression-fest.

Imagine my surprise when the first scenes of Kingdom followed a completely different story pattern: that of the YA fantasy novel.

**spoilers for Kingdom of the Planet of the Apes throughout**

Continue reading “Priesthood of the Planet of the Apes”

What I Read: April 2024

Tulips make running better

I thought that it would get easier to keep up with blogging when the semester ended, but I guess things just keep on piling on. I finished up two really good papers–one on teaching students with dysgraphia in first-year writing and another using C.S. Lewis’s The Four Loves as a lens to interpret Fatima Mirza’s novel A Place for Us–and all of my grading, and promptly collapsed.

Then I got back up again and promptly made up for my lack of mom-hours during the semester by chaperoning my daughter’s field trip the zoo and running all the last-minute errands for various school projects. My husband and I also ran a 5K at our local tulip festival with my teenagers, who we’ve been forcing to run all year. I don’t think they enjoyed it as much as I did.

In writing news this month, my short story “Birthright” was published as part of an anthology called Tales of Mystery: Dead for a Spell. The collection features detective stories with a fantasy twist, while the companion volume, Tales of Mystery: The Gravity of Death, is science-fiction themed. My story features a reluctant detective forced to take a case from a dangerous magical family. If you pay attention to the biblical allusions in the story, you may get a hint as to whodunit. I feel honored to be included in the collection along with some other really wonderful writers (including one who wrote one of the books reviewed below).

I had hoped to do more creative writing during the summer, but looks like academia has other ideas. I’m currently working on a paper about memory in dystopian novels by LDS authors for the Association for Mormon Letters conference in July. And in April, my podcast co-host Carl Cranney and I received a conditional acceptance for a paper on The Mandalorian and religious clothing for a possible edited collection, so now I am being forced to rewatch the show for research purposes. Oh, the hard life of the speculative fiction literary critic. 🙂

Speaking of the podcast, this month’s release is a short conversation about The Most Reluctant Convert, a film about C.S. Lewis’s conversion based on his memoir Surprised by Joy. I can’t believe it took me 42 episodes to get a legitimate Lewis episode into the podcast. The film is very short and really faithful to the book. Highly recommend for Lewis fans.

And now onto book reviews, of which 4/5 are rereads. It’s interesting (to me, at least) to see how my perspective on a book has changed over time. I hope the reevaluations you see below are an indication that I’m growing over time.

Continue reading “What I Read: April 2024”

Religion as a Technology

I’m currently watching the Netflix adaptation of The Three Body Problem (or 3 Body Problem, as they have styled the title). The dialogue and exposition writing is so much better than the recent Avatar: The Last Airbender that I could cry. I finished episode six last night, and it’s taking a lot of my willpower bandwidth to continue working on schoolwork instead of finishing the final two episodes. It’s been a while since I read Liu Cixin’s book, and I have not read the other two books in the series, though with the amount of enjoyment I am getting from the show, they may move to the top of my summer reading list.

With all those caveats on my own ignorance in place, I’ve noticed an interesting religious theme in the show. In the first episode, Vera, a scientist who’s shortly going to commit suicide, asks another, “Do you believe in God?” This question is seemingly related to the fact that the particle accelerator they both work at is spitting out “Alice in Wonderland”-type results, like all the other colliders in the world. This implies that the only reason to consider religion is because you encounter things that don’t make sense.

Revelations in the show make it seem likely that Vera, like another protagonist, has also encountered a mysterious human who tells her that “the Lord” will take care of her if she stops her research and perhaps force her to commit suicide if she doesn’t. Later, it becomes clear what this group of fanatics refer to as “the Lord” is actually a group of technologically advanced aliens. This is a common enough science fiction explanation for God, but what makes this framing interesting to me is that these humans know that their Lord is a group of aliens. They are under no illusions that anything supernatural is going on. All of the aliens’ marvelous capabilities are scientific in their minds, and yet they still frame the aliens as a god, one who cares deeply about humanity’s best interests, and worship them accordingly.

Continue reading “Religion as a Technology”

The Postsecularism of Arthur C. Clarke

If we’re going to talk about the connection between postsecularism and speculative fiction, there can perhaps be no better example than Arthur C. Clarke. According to his Wikipedia page, Clarke described himself throughout his life as an atheist or logical positivist. He demanded that no religious rites of any kind be associated with his funeral and famously said, “One of the great tragedies of mankind is that morality has been hijacked by religion.” On the other hand, Clarke praised C. S. Lewis’s Ransom Trilogy, which as a work of science fiction is just about as explicitly religious as possible. He was fascinated throughout his life by supernatural phenomenon, hosting several television series about unexplained events. He had “pantheist” printed on his WWII dog tags, and he sometimes claimed to be Buddhist (while insisting it wasn’t really a religion). Clear as mud, right?

This internal conflict is written all over Childhood’s End, Clarke’s third novel and the one that made him famous as a science fiction writer. The beginning of the book subscribes thoroughly to the secularism hypothesis, the idea that as science advances, religious belief will naturally decrease to the point of extinction. Childhood’s End begins with the invasion of Earth by a strange alien vessel that forces humanity and its governments to start acting in a logical, humane way. Working through the middle manager of the United Nations, the aliens stop all wars and conflicts, including the torture of animals. People’s standard of living increases dramatically overnight. Everything seems to be going for the best.

There are those who resist the alien takeover, and their resistance is portrayed as “a religious one, however much it may be disguised” (11). They claim some secular reasons, such as the right to self-determination and agency, but ultimately the narrative makes clear that these are all desperate excuses for their real concern. The UN Secretary General receives this perfect summary of the secular hypothesis from the Overlord when he explains the resistance to the imposition of a utopia:

“They know that we represent reason and science, and, however confident they may be in their beliefs, they fear that we will overthrow their gods. Not necessarily through any deliberate act, but in a subtler fashion. Science can destroy religion by ignoring it as well as by disproving its tenets. No one ever demonstrated, so far as I am aware, the nonexistence of Zeus or Thor, but they have few followers now” (19).

These religious resistors are portrayed negatively in the first half of the book. They kidnap the Secretary General in an attempt to get to the Overlord and are easily swatted away by his superior technology and benevolence. Their resistance is one of irrationality in the face of the obvious superiority of rationality and science-based progress.

At some point in the book, there is a turn in perspective. Mankind has everything it wants; people thrive in the post-scarcity culture brought on by the logical dictatorship of the Overlord. Yet something is dreadfully wrong. Humanity has lost almost all interest in the science of new discoveries, preferring simply cataloging of various species and other naturalistic pursuits. Additionally, the production of new art has almost completely stopped. The Overlord acknowledges this connection between the loss of humanities “superstitions” and the loss of human creativity near the end of the novel: “I am well aware of the fact that we have also inhibited, by the contrast between our civilizations, all other forms of creative achievement as well. But that was a secondary effect, and it is of no importance” (198). One scientist still seems to pursue the big questions in spite of the general malaise, and an artist colony nation forms in an attempt to reinvigorate the human spirit that has been somehow lost in the comfort of having all its needs provided for, but they are the exceptions fighting against the spirit of the secular age.

Why would someone who believed in the triumph of science write this? It becomes apparent that even though Clarke considered science edging out the old superstitions a good thing, he also believed something would be lost as it happened, and that this something was an essential part of humanity. The loss of religious belief seems, according to this book, to lead directly to the loss of everything that made humanity worthwhile.

Near the end of the story, humanity arises from this doldrum through what can only be called an ascension narrative. Children all over the world begin transforming from individual human beings into a metaphysical Overmind, eventually leaving their bodies behind to become part of the noncorporeal superbeing that sent the Overlords to Earth in the first place. There’s really nothing to distinguish this Overmind from a sort of supernatural God, other than the idea that it is the natural end-state of the evolution of most species. The Overlord describes it as something, while not identical, at least adjacent to the Latter-day Saint conception of God: “We believe—it is only a theory—that the Overmind is trying to grow, to extend its powers and its awareness of the universe. By now it must be the sum of many races, and long ago it left the tyranny of matter behind. It is conscious of intelligence, everywhere” (200). It is seemingly omniscient and omnipresent, and though it acts by commanding dead-end species like the Overlords, one could argue it is omnipotent as well.

This sense of the need for something beyond the rationality of science, the sense that in leaving behind religion we have lost something essential, is one of the major thrusts of postsecular literature. While science fiction might be the genre where we’d expect rationality to be celebrated, in fact I think we can find many authors, even in the golden age of sci-fi, who show this conclusion to be naive, including Arthur C. Clarke.