What I Read: January-April 2025

I finally return from the land of the dead! The day after I graduated with my master’s, the stress reading on my Garmin watch suddenly improved by about 10 points, which goes to show that the background stress of graduate school is no joke. But I passed my thesis defense, and so it’s officially over. I’ll be taking a few years off to consider whether to apply to go on for a PhD, but I plan to continue my research and post more updates here in the meantime.

Since my last reading update, I have attended three conferences: LTUE 43, ICFA 46, and the Eaton Conference on Speculative Fiction. All really interesting events with the chance to soak up a lot of speculative fiction thinking. One thing ICFA’s fantasy track did this year that I loved is send out a reading list of all the texts that people were presenting on. Of course, there was no way to read them all, but I got to 4-5 of them, which made many of the papers more relevant to me. More conferences should do this!

I also just got finished with attending Storymakers with my friend Marinda Misra, whose debut novel The Healer Academy was a finalist for the Whitney Awards in two categories. She’s on substack, so if you like YA fantasy with a religious and romantic bent, you should check her out!

For the next month, I’m in another marathon sprint of conferences before taking the summer off to relax a bit, travel to Japan, and honestly, just declutter my house from everything that has accumulated over two years of grad school. Here’s the schedule of places you’ll find me:

May 16-17: Faith and Knowledge Conference (SLC, UT) – I’m really excited by the chance to meet with so many other interesting early career scholars and grad students. The conference is closed to the public, so I can’t share who else is there, but I’ll be presenting on “The Risks and Rewards of Imagining the Divine.”

May 28-30: AML/MSH Joint Conference (Ephraim, UT) – I’m on a round table discussing the “great Mormon epic,” and why Mormons seem draw to the epic form. (Obviously, this has implications for why Mormons keep writing epic fantasy as well.) I’m also the MC for the AML Awards.

June 5-7: MHA Conference (Ogden, UT) – I’ll be presenting my research on Orson Scott Card’s rewrite of the Hill Cumorah Pageant. It’s a shame that so much of Card’s explicitly LDS work gets neglected. As I argued in another post, Card is unique as an LDS SF writer because he speaks both to the general public and to an insider audience. I think he’s had a greater influence on LDS thought than people realize, not the least of which is through the Hill Cumorah pageant’s framing of the “Mormon story.”

June 18, 7 pm: Wayfare Fantasy and Religion Lecture for The Compass Gallery (Provo, UT) – I’m really excited to see the Compass Gallery doing an exhibit of fantasy artists in June and explicitly tying in faith. I’ll be on a panel with Steven Peck and Chanel Earl (possibly others) about how fantasy can build faith. It should be an engrossing discussion, and it’s open to the public!

Geez, seeing it all laid out like that, no wonder I’m tired! Anyway, I have four months of book reviews for you now, some longer than others. Hopefully I can get back to a more regular pace of updates now that grad school is over (right??).

Speculative Fiction

Gwenhwyfar: The White Spirit by Mercedes Lackey – As I’m taking a class on women in Arthurian legend that focuses more on the medieval and early texts, I’m trying to supplement with my own reading of some of the more recent takes on the legend that fall within the speculative fiction umbrella. This retelling of the story of Gweneviere certainly hits that mark. Gwenhwyfar recasts Gweneviere as a woman choosing between her own innate magical talents and her desire to become a horsewoman warrior. Lackey’s reimagining of the story apparently derives from a scrap of ancient poetry that mentions not one but three women named Gwenhwyfar associated with the Arthur legend. So the book gets rather confusing in that the main character’s sister is also named Gwenhwyfar (she ends up becoming the protege of Morgaine and the wife of Mordred) as is Arthur’s first wife (the protagonist become Arthur’s second wife after this first one runs away).

For me personally, the pacing of this book was uneven. I nearly gave up in the first 25% because of the constant focus on Gwenhwyfar’s horse obsession. I’ve never been a horse girl, but if you are one, you might enjoy this book. The Arthurian connections are barely present in the first half of the book, then begin to grow slowly then exponentially as we near the finish line. That made the book feel rushed at the end, trying to get through Gwenhwyfar’s affair with Lancelot and the betrayal of Mordred. I don’t think it will be one of my favorite Arthur retellings, but it’s worth a look for those interested in a more feminine take on the legend that isn’t the now-tainted Mists of Avalon.

Tehanu by Ursula K. Le Guin – A very different take for Earthsea. This one finally pulled me in where the others in the series have been meh or middling for me. I guess I’m just a sucker for fantasy books about middle-aged women and where the answer is not violence. LeGuin is doing really cool stuff here, and I see a re-read in my future to figure out exactly what and how.

The Beautiful Ones by Silvia Moreno-Garcia – Picked this one up as the author will be the guest of honor at ICFA 2025 and I hadn’t yet read any of her works. This one came in first on the library holds. The book reminds me strongly of Mary Robinette Kowal’s Glamour in Glass in that it’s primarily a regency romance with some very decorative and frivolous magic thrown in for entertaining the upper classes.

Where Kowal’s book felt very Pride and Prejudice, I’d put this one somewhere between a Jane Austen and something more like Wuthering Heights. There’s a strong love triangle here, along with the trope of first love being all consuming. Both of these are tropes that I usually roll my eyes at, but for this book, they absolutely worked. The novel had the kind of over-the-top emotional magnetism that you’d get out of your favorite guilty-pleasure reality TV, but with a lot more sophistication in language and imagery. Indeed, I was certainly pulled through the novel in less than a week. I also enjoyed the female lead’s “not your typical romantic protagonist” hobby of collecting bugs, but I’m always a sucker for academic women in my fiction.

If I had to pick one adjective to describe this book, it might be “gothic,” which seems to fit with the rest of her work. Mexican Gothic had been on the edges of my TBR for a long time, with me hesitating on whether I would enjoy it when I’m not a bit fan of gothic fiction, but after reading and enjoying this, I will likely be picking it up.

The Daughter of Doctor Moreau by Silvia Moreno-Garcia – Really excellent twisting of the original story. A dark Gothic fantasy with everything bubbling under the surface of the naive narrator. I liked the strange twist on the Eve mythology throughout. Highly recommend.

That Hideous Strength by C.S. Lewis – I have put off reading the final book in the Space trilogy for many years because I had heard about how super weird it was. But I figured if there was ever a time to read it, it was while taking a class on Arthurian legend. Now, the Arthurian aspect was actually a lot smaller than I expected, as was the planetary aspect. Honestly, the main thing you need to do to prepare to read this book is to read The Abolition of Man, which contains a lot of the same ideas but in nonfictional form. I can also see a lot of the influence of Charles William’s The Place of the Lion in this book, from the character of the female academic avoiding marital duties to the idea of the gods coming down. Honestly, it’s a very prophetic book to read in the age of AI, but not as engaging as a work of fiction as Out of the Silent Planet or Perelandra. Also, no one told me there was a Busby in this book, so that was a fun Easter egg.

Wild Seed by Octavia E. Butler – What an absolutely wild book. The feeling of utter horror and inevitability for most of the book is extremely well executed. I don’t know how she managed to pull off the ending without making it feel cheap, but it’s extremely impressive. I may continue with the rest of the series when I can handle the trauma.

The Bright Sword by Lev Grossman – I was skeptical when the NYTimes review called this the first major Arthurian retelling for the 21st century, but I think Grossman pulls it off. I didn’t enjoy the film version of his Magicians series, so I never picked up his other books, but I really enjoyed this one. You can tell he’s playing with quite a bit of Arthuriana, from medieval legends through Victorian classics all the way through modernish versions like The Winter King and Mists of Avalon. The storytelling is unpredictable and goes in cycles that tend to end in dead-ends, but it works with the theme of the book. Highly recommended.

The Sword in the Stone by T.H. White – I did not anticipate just how faithful the Disney adaptation was to the original. Granted, Madam Mim was made a lot less scary and misogynist, but that’s a positive change. Lots of dialogue in the film was lifted straight from the book. Sometime I’ll continue on to read the read of the larger work, but this gave me a good sense for what T.H. White was about.

The Last Unicorn by Peter S. Beagle – Absolutely thrilled to finally have read this book. Again, amazed at the faithfulness of the film version, right down to the butterfly’s dialogue. I enjoyed the longer version of Mummy Fortuna’s zoo in this one, particularly that Arachne is thrown in. The mixing of mythologies here reminds me strongly of what Lewis did in Narnia, not being too worried about making things cohesive. It’s also clear that this universe is somehow connected to ours in unclear ways. Anyway, you don’t need me to tell you this is a fantasy classic and worth reading.

The Way Home: Two Novellas from the World of The Last Unicorn by Peter S. Beagle – Two very strange novellas, both of which feel utterly different from the Last Unicorn, yet there’s something about the narration that ties them together even if the world-building is almost entirely different.

The Brides of High Hill by Nghi Vo – I really enjoyed the Asian ghost story vibes of this book, but the twist seemed like a complete non-sequitur to me. But that could be my bad, as I might have zoned out on the audiobook and missed something. Anyway, worth it for a short listen, but I was left wanting more.

The Maid and the Crocodile by Jordan Ifueko – This book is a combination of a Beauty and the Beast-type folktale and a handbook on how to lead a Marxist uprising. You probably know if you’re in the target audience for that. The magic was the highlight of this book and what kept me reading when I got tired of descriptions of how everyone rich is evil. It’s a cleaning-based magic system based on how we are influenced by others expectations. The romance isn’t too bad either. I just got bored of the didactic, simplistic message.

Fiction

The Westing Game by Ellen Raskin – I don’t think I’ve reread this one since I first read it in fifth grade. I remembered it as being one of my favorite books that year, though it had strong competition from Tuck Everlasting. Returning to The Westing Game for a quick January book club read, I found it still charming but a little less clever. As a more experienced reader, you can tell that the author didn’t really know where she was going from the beginning but opened a lot of possibilities and then scrambled to close them all. For me, this meant that the beginning is much more fun than the ending, but it’s still a fun mystery read for kids.

Lancelot; Or, the Knight of the Cart – A fascinating side of Lancelot that I had never seen before my Arthurian class.

The Winter King by Bernard Cornwell – Excellent retelling of Arthurian legend. Though I dislike the low/no magic aspect as a fantasy reader, Cornwell makes it work very well. The frame narrative of a side character looking back and explaining the story provides interesting color. Worth reading if you enjoy Arthuriana and haven’t already read it.

Le Lai de Lanval by Marie de France – A fun short story about Sir Lanval who becomes the lover of the fairy queen but can’t tell anyone. Pretty fun and worth a read.

The Knight of the Parrot: Early Adventures of Young King Arthur, translated by Thomas E. Vesce – A very weird medieval text about a young King Arthur. Guaranteed that you have never heard these episodes before, including the fish knight and the giant nursed by a mother unicorn, all narrated by King Arthur’s parrot sidekick.

Nonfiction

Winning Arguments: What Works and Doesn’t Work in Politics, the Bedroom, the Courtroom, and the Classroom by Stanley Fish – I expected to like this one more than I did, and I think the issue was a matter of expectations. I had seen some of the Goodreads reviews rant about the “unnecessary religion stuff” brought into the book. Of course, being myself someone who is always bringing in “unnecessary religion stuff” into my conversations, I thought that would be a plus for me.

In reading the book, I found the real issue was not the religion per se but the fact that this book is secretly a literary analysis of Paradise Lost masquerading as a book about argument. That’s not a bad thing in itself; I just read Paradise Lost last summer and would be very interested to look at argument in the book. It’s just the false advertising that really throws you off. Rhetoric is all about predicting and managing the expectations of your audience, so the fact that this was bungled so badly in a book about rhetoric seems problematic.

Other than the expectations issue, the book flows freely through ideas rather than being practical. It’s a fun listen, but not particularly applicable to the context of teaching persuasive writing, which was where I was trying to go with it.

The Game Changers: How Playing Games Changed the World and Can Change You Too by Tim Clare – A really fun book if you’re a board game nerd like me. This book includes not only the obvious board game stories (eg Monopoly was invented by a woman and later ripped off by a man) but goes one layer deeper (eg Monopoly was possibly based on a Native American board game), so there was lots of new and interesting information. I especially enjoyed learning about the Japanese game of Karuta, where players race to be the first to slap a card containing the second half of a poem which is being read by a judge. I absolutely need there to be an English language version of said game; plus I hear there’s an anime series based on the game that I’m adding to my watchlist. My only complaint about the book is that the ending is a bit abrupt: a research thread for the book leads the author to receiving a diagnosis of autism. While the story is interesting, it seems a strange note to end the book on without bringing it back around to board games. Other than that slight stumble, I would recommend this book to anyone who enjoys board games and wants to defend their closet full of very expensive paper and cardboard as a legitimate and important part of humanity.

Divine Law: Themes in the Doctrine and Covenants by Justin Collings – A good summary of the theme of divine law throughout the Doctrine and Covenants. I’m still thinking about a few of the ideas from this book after finishing it. The biggest one of these is how the D&C sets up divine law as a component of God’s mercy and love rather than an opposite to it.

Brunelleschi’s Dome: How a Renaissance Genius Reinvented Architecture by Ross King – Brunelleschi himself is fascinating! I really enjoyed learning more about renaissance architecture (and remembering some of what I learned back in my high school humanities course). There are some great stories here that were mind-blowing not only in their content but in how they survived as stories to this day–like an epic practical joke that Brunelleschi played on a rival.

Destiny of the Republic: A Tale of Madness, Medicine and the Murder of a President by Candice Millard – A reread for book club. This book has only grown on me since I first read it back in 2016, and ironically the state of the nation has continued to make President Garfield’s story even more resonant. Millard’s writing absolutely holds up. She’s compulsively readable. Even if you aren’t usually into thick historical books, you should pick up this one.

Writer in Review: 2022

Another year has passed in my great writing adventure. My birthday was yesterday, which is making me feel old as I’m now officially in my late 30s. But it’s been a year in which a lot happened, so I am hopeful that things are heading in exciting directions. Without further ado, here’s my year in review!

Personal Life

2022 was a year of everything everywhere all at once. (Loved that movie!) I was constantly so busy that my to do lists grew always longer and never shorter and I had to put off things that really should have been done in order to put out the fires.

One thing I learned about myself is that I volunteer for too many things just because I could do them without thinking of whether I should do them. A lot of my writing time and energy has been eaten up by the PTA and political campaigns this year. I need to discipline myself to say no a little more often and/or downgrade the quality that I expect of myself in these volunteer assignments. I have a hard time just letting things be bad and done when I could make them better.

Family-wise, the kids are doing well in school, settling in after the pandemic and moving between states. George started a new job with a software start-up in Utah. I’ve made some friends in my new ward and started a book club, so things are feeling more normal than they were in 2021. I feel like I’ve been waiting at the starting line of my life-after-stay-at-home mom life for several years now, but 2022 made me feel like it was beginning to get somewhere.

Checking in on 2022 Goals

Let’s check in on how I did on the goals set in the 2021 Writer in Review:

Decide whether I want to go for an MFA – I actually ended up deciding that I’d rather do an MA than an MFA. Basically, I decided I could do a lot of the improving of my writing craft part on my own (see the next goal). Reading lots of books and theory and being able to discuss them with other smart people felt like more of a value-add to me. Plus I couldn’t make the more agonizing choice between applying for fiction (which I want to learn and am currently bad at, maybe not good enough to get in) and creative nonfiction (which I feel competent at but don’t necessarily want to spend 2+ years improving). This way I can avoid deciding and keep dithering with both. Yay!

The decision to head in a literary studies direction was precipitated by a graduate class at BYU titled “Fairy Tales and Other Speculative Fictions: Young Adult Literature and the Search for Justice.” It was taught by Jill Rudy, and her feedback and advice was pivotal in my decision to go for it as a scholar. And the conversation in class reminded me how generative it can be to be in an environment with others who are also thinking about the same things.

My application for BYU’s English MA program was turned in last week, and the deadline was this week. From what I can gather through anxious Google-ing the bowels of social media and the English department website, it seems like they send out decisions around the end of March, so keep your fingers crossed for me. (They are offering a class on dystopias in the fall which I’m dying to take–please!)

Join or start a regular critique group – I did this! I formed the Paper Wizards critique group this year with some other aspiring authors I met at LTUE. We’ve been meeting regularly every-other week to exchange work. I should write a post someday with the lessons I’ve learned in organizing a critique group, but suffice to say, they have been instrumental in improving all the stories I wrote this year.

Attend three conferences related to my interests – I attended LTUE, MHA, and LDSPMA last year, in addition to watching the AML conference online and attending Dragonsteel 2022. Each of these conferences was helpful to me in its own way, and it was a good balance of speculative fiction fandom, Mormon studies, and writing professional networking between all of them. I’ll definitely return to LTUE this year (next month!), but I may shake things up with some new-to-me conferences this year.

Write at least 4 short stories and 4 personal essays – Let’s see. I completed four short stories this year: a 1000-word flash fiction piece called “Arm of Mercy” that a beta reader called Star Trek Mormons, “Birthright,” “Reclaiming the Desert” (working title: Solar Punk Utah), “Memories” (working title: Robot Nanny). I feel that each of these was better than the one before it, so I’m definitely learning something (thanks, critique group!).

On the essay side, things are more numinous. I finished one piece, “Self Portrait in Cookies.” I have a few other substantial fragments that didn’t quite make it to the finish line, one about my relationship with A Wrinkle in Time and one contrasting my two grandmothers. I’m still actively working on my Landscapes of Faith essay which I hope to finish in the first quarter of this year.

Suffice to say, four stories and four essays in one year was not the lowball goal I thought it was. Lesson learned.

Start a podcastPop Culture on the Apricot Tree launched in March, and we made 20 episodes in 2022. I am so proud of what the podcast has done so far and looking forward to creating season 2 this year.

Creative Publications

My singular creative publication this year was on the very last day of the year: “Self Portrait in Cookies” was part of Young Ravens Literary Review issue 17, a special issue about womanhood. I shared an Author’s Note about this piece last week.

“Birthright” earned an honorable mention in the Writers of the Future contest for volume 39, quarter 2. It’s currently on submission to a great market and has made it past the first wave of cuts. I am hoping to hear back from them by the end of February, but I’m not holding my breath. I think I’ve found a critical flaw in the viewpoint of the story, so if it doesn’t get picked up, I may pull this one back and rewrite it completely.

“Reclaiming the Desert” and “Memories” are also out on submission.

Nonfiction Writing

A couple of big projects this year in the Mormon Studies arena. I put out a few useful guides on the Association for Mormon Letter’s blog. The first was an attempt at an exhaustive list of Mormon podcasts. I’m in the process of updating that list this month, so expect an updated version in the next month or so. I also compiled a conversation on the AML Discord server into “Mormon Horror: An Incomplete Guide of Where to Find It.” There’s a lot more out there than I knew, so hopefully this can be helpful to others as well.

In June, I presented at the Mormon History Association this year on “Confronting Colonialism Through Magic: Brandon Sanderson’s Stormlight Archive as a Reflection of Mormon Colonialism.” Not many people got to hear it, unfortunately, because there were so many amazing panels going on at the same time. The general drift is examining the role of the Parshendi in Stormlight through the lens of the Lamanite narrative in LDS theology, history, and culture. There is a recording available with a digital conference ticket purchase, but I feel that I need more of a theoretical grounding in post-colonialism before I can work this up into a formal paper. I’m hopeful that I could publish this work somewhere in the future.

At nearly the same time as MHA (while also taking that graduate class at BYU), I was also reviewing “Under the Banner of Heaven” for Public Square Magazine. You can get the links to all those pieces and my thoughts on the series in this blog post.

Speaking of that graduate class, I wrote a really fun paper for my final project on Susanna Clarke’s Piranesi, the pandemic, and the necessity of art and religion to maintain hope in an unjust world. I haven’t done anything with the paper since then, but maybe I will look into submitting it to an academic conference this year.

I also have forthcoming a book review in Dialogue. Haven’t seen signs of it yet, but the link will definitely be here when it comes through.

Goals for 2023

Complete at least 6 new creative pieces this year. I’ll leave myself some wiggle room as to whether these will be fiction or creative nonfiction. But I need some new cannon-fodder for submissions so it’s time to actually finish things up. Hopefully this next goal will help me with that.

Grow my tolerance for daily writing to regular 1000-word sessions. One of the troubles I’ve had with maintaining a regular writing practice is that I find creative work pretty exhausting. I love having done it, but doing it takes a lot out of me. As a result, I’m really good at avoiding it and suffering from the anxiety of not doing it instead. (Thanks for that.) Like with long-distance running, there’s value in showing up daily and doing the work, even (especially?) when you aren’t inspired.

So this fall, I set a goal of writing 250 words at least 4 days a week. In December, I bumped that up to 500 words which is still a stretch right now, but I think that by the end of 2023, I could reach the point of comfortably writing 1000 words a day. That level of output is really necessary to make writing regularly in all my genres achievable, and something very possible given my current stay-at-home life. And yes, I’m including all genres in this: fiction, nonfiction, academic, even outlining counts, so long as it’s advancing my own work forward. If I’m admitted to grad school, a lot of my wordcount would likely go to essays and assignments, so building up the muscles for that is another plus of this goal.

Submit at least 40 times. In 2022, I made 19 submissions, so this is basically doubling my current rate. I’ve been attempting to send in a submission every Friday this fall, and it’s been a helpful practice. I have doubts that this number is really achievable given that I don’t have a huge backlog of work, but I’m okay with reaching for the stars here and perhaps falling short.

Double the listenership of Pop Culture on the Apricot Tree. I know, it’s not a good goal because it’s not under my control. However, I don’t want to bore you with all the specific numbers and strategies. Suffice to say, I want to put in a good amount of work on marketing the podcast this year and hope for it to pay off. I feel like there is a good audience for this podcast out there who just doesn’t know that it exists yet. I’ve pulled the subscription numbers from all the various distribution platforms to hold myself accountable on this one.

Gain some editing skills by working on Irreantum’s genre issue. Not so much a goal as something that will happen, but editing is my final frontier in the world of writing, the part of the process I have yet to do much with. I think it’s something I could possibly be good at and I have a few ideas for projects in the future if I enjoy how this goes.

Make at least 24 posts to this blog. I’ve gotten in the habit of posting my book reviews at the beginning of each month, but I’d like to provide you with a little more value. Hopefully, I will write at least one additional blog post each month of the year.

In addition to these, I also have some personal reading projects for 2023. If you’ve made it this far, thanks for indulging my personal reflections. I’d love to know what your writing goals are for this year, either through the comments, social media, or email. I’m always in need of new people to be accountable to. 😀 May this be your best writing year yet.

How to Keep Writing: My Process for Short Stories in Late 2022

Conor Hilton recently asked on the Association for Mormon Letters Discord server about people’s process for writing short stories, specifically with the goal of having a regular process for producing work. My reply got a little long, so I thought I’d expand it further and turn it into a blog post.

leaves hang on rope
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I am still struggling to get back into a regular creative rhythm. Part of that is me getting too excited about all the different opportunities open to me and accidentally turning all my writing time into time confetti. But part of it is also that I am a baby fiction writer. In college, I developed a pretty good process for creating creative nonfiction on the regular (implementing that now is one of the aforementioned time-confetti creators) but developing fiction is a whole different animal.

With that caveat, for my last two short stories, my process has been something like this:

Continue reading “How to Keep Writing: My Process for Short Stories in Late 2022”

What I Read: October 2022

If I told you that I was sewing Halloween costumes at 9 pm on October 30th, you’d get a good picture of the kind of month I had. Lots of work on my dad’s campaign and getting the Reflections contest up and running, plus all the craziness of Halloween with four kids. All of it good work, but lots of time away from the writing I’d like to be doing.

Word count for October fell short again (3770/4000) but not surprising. I missed about a week of time attending the LDSPMA Conference. I learned a lot at the conference (I focused this time on podcasting rather than writing) and met some great people who I hope to work with in the future.

white and black skull figurine on brown wooden table
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This month’s writing was mostly focused on academic projects. I finished a book review of Into the Headwinds which is going to be published by Dialogue. But the more exciting piece was finishing my statement of intent to apply for the English MA program at BYU. I’ve got everything all rounded up, just waiting on letters of recommendation. I did begin a new short story at the end of the month called “Memories” focusing on a robot nanny. First draft has already gotten some good feedback from my writing group this week, though lots of changes to make of course. I’m really enthusiastic about the prospects for this story.

Pop Culture on the Apricot Tree released two episodes last month, one on Top Gun Maverick (I didn’t think we’d get so many moral lessons out of a summer blockbuster!) and a Halloween special on Midnight Mass.

During November, I’m going to continue polishing “Memories” and start a creative nonfiction piece about the culture shock of moving from Utah to Seattle and back again. If you’re reading this on the day it’s published, you can catch me tonight at 7 pm MT at the launch party for the Mormon Lit Blitz’s second anthology. I’ll be reading “The 37th Ward Relief Society Leftovers Exchange,” and just basking in all the other really interesting authors who’ll be there. Next week, I’m attending Dragonsteel 2022 for the release of The Lost Metal. At the con, I’ll be recording a special episode of Pop Culture on the Apricot Tree talking about Mormonism in the Mistborn series, which is something I’ve always planning to write about. Come and listen in if you’re at Dragonsteel! Due to all this busy-ness, I won’t be attempting NaNo this month, but I’m already eye-ing Camp Nano in April for a return to longform writing.

Continue reading “What I Read: October 2022”

What I Read: September 2022

This month has flown by, my friends! I feel like it’s impossible that I actually read the 12 books reviewed below because I’ve been so busy this month with back-to school and things. I’m volunteering the equivalent of a part time job running my dad’s campaign for county auditor and as the PTA council Reflections specialist.

My word count for September was 400 words short of my 4,000 word goal, but not too terrible overall, considering. I ended up writing 2-3 days a week instead of 4 and making up the word count by writing slightly longer. I need to drill into my head that 250 words doesn’t actually take that long, so I’ll just sit down and actually do it.

branches of tree with yellow leaves in autumn
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I finished one story whose working name is “Reclaiming the Desert” but is also known as Solar Punk Utah in my file system. It’s a story about the ecological restoration of Utah and the mending of family relationships divided by a gulf of faith. Hopefully I’ll find a good home for it soon. Submissions are happening, though who knows if they are going well. 7 submissions out this fall, but no bites yet.

We released three episodes of Pop Culture on the Apricot Tree last month: one on Netflix’s The Adam Project, one on the anime film Mirai, and one on Star Trek: Strange New Worlds.

For October, I’m going to continue writing short stories and start work on my grad school applications. So crazy that this is really happening. Book reviews after the jump!

Continue reading “What I Read: September 2022”